BIO & ARTIST STATEMENT

ZsOKA (b. 1986, Hungary) is a Toronto-based Canadian steel artist whose practice exists at the intersection of painting and sculpture.Trained in art in Hungary, she earned a diploma in ceramics from the Kandó Kálmán School for the Arts before building a career in construction. These experiences continue to shape her understanding of material, structure, and fabrication.

Working with steel as her primary medium, ZsOKA combines welding, grinding, industrial paint, graffiti paint, inks, oil, chalk, and mixed media to create original figurative steel paintings and sculptural artworksthat explore the complexity of the human mind. Her practice investigates themes of emotional resilience, identity, personal transformation, and mental well-being, using steel not only as a material but as an emotional language.

Rooted in personal experience yet intentionally open-ended, her works invite viewers to discover their own stories within them. Existing between painting and sculpture, each piece becomes a space for reflection where strength and vulnerability, permanence and fragility, coexist.

In 2025, ZsOKA received the Canada Council for the Arts Professional Development for Artists grant through the Explore and Create program, supporting the continued evolution of her steel-based practice.

My work explores the relationship between the visible body and the invisible mind through original steel paintings and sculptural artworks.

Working at the intersection of painting and sculpture, I use steel as both my canvas and my collaborator. Through welding, grinding, plasma cutting, and layering industrial paint, graffiti paint, inks, oil, chalk, and mixed media, I transform an industrial material into a surface capable of holding emotional memory.

The female figure is central to my practice. Many of my works begin with my own body, becoming portraits of my inner world rather than records of my physical appearance. Others emerge through observation and imagination. Whether personal or imagined, each figure becomes a vessel for emotional and psychological experiences that are shared rather than owned. Vulnerability, resilience, loss, hope, uncertainty, and healing exist together within the same image.

Although deeply personal, my intention is never to tell viewers what they should see. Instead, I create open visual narratives that allow space for individual interpretation. What begins as my own emotional landscape becomes an invitation for others to recognize something of themselves within the work.

Steel is inseparable from these ideas. It resists, yields, scars, and transforms through heat and force, mirroring the ways people are shaped by their own experiences. The physical process of making becomes inseparable from the emotional content of the work, allowing each piece to exist between painting and sculpture.

Every artwork is handcrafted in Canada as a one-of-a-kind original. Rather than offering conclusions, I am interested in creating moments of quiet reflection that invite viewers to look beyond the visible surface and consider the unseen layers of identity, memory, and emotion that connect us all.

Like the human mind itself, each work remains intentionally unresolved, inviting reflection rather than certainty.